We would like to share a great text about the Third Theatre Movement and Street Theatre which is an annex to the book, Why don’t we do it on the road, for adult trainers, and for those, interested to apply the street theatre handbook in a wider, theoretical context.
The text is an intellectual output of the RIOTE 2 partnership, led by the Italian Partner, Teatro Tascabile di Bergamo and personally by Beppe Chierichetti.
In Italian:
streetplay by JUDIT FECSKÉS, based on the poem of FARID UD-DIN ATTAR considering the translation of DICK DAVIS and the dramatic verison of JEAN-CLAUDE CARRIÈRE and PETER BROOK
Voyagers:
Gabriella Molnár-Keresztyén, Nikolett Németh, Júlia Fazakas, Viktor Gábor Kozma, Géza Pintér, Krisztián Simó, Balázs Simon, Gáspár Simon
Costumes, props: TÍMEA PIRÓTH,
Pyro: KRISZTIÁN GORA
Masks: STEFANO PEROCCO
A community creation under the direction of BALÁZS SIMON
Easily accessible open-air performance concerning our life’s ever-answered question for children and their parents and for their parents and their parents:
Why?
The interactive show of the Hungarian group is something they call a
“public vehicle to the realm of ancient wisdom”
for the never limited audience of streets with a delicate selection of traditional open-air performing art tools.
Please see the photos of the performance: https://photos.app.goo.gl/v7NNedNTTJArDEoB8
HU.: A Vidékjáró Kézikönyv magyar nyelvű szerkesztett változata elérhető az alábbi képről. A könyv bemutatja az angliai színházi vidékjáró hálózatot, melynek segítségével hivatásos színházak juthatnak el előadásaikkal falvakba az év számos napján, illetve útmutatást ad hasonló színházi struktúra kialakítására más európai országokban, első sorban Magyarországon és Erdélyben.
EN.: The edited Rural Touring Handbook in Hungarian laguage is available from now on our website. If you are interested please find the link on the immage below.
This is the title of a new article about RIOTE 2 and about the Multiplier Event in Dunaszekcső (HU) in one of the most important theatre critical portal in Hungary, called Revizor. The author of the long, analytic essay is Fanni Nánay. The text is available in Hungarian.
